Visually, the film is a trippy exploration of reality, featuring "M.C. Escher–esque kaleidoscopes of collapsing reality" and a memorable sequence where characters tumble through 2D-animated and prehistoric worlds. This is complemented by propulsive score, which includes a unique "musical battle" where notes themselves become weapons. ‘Doctor Strange in the Multiverse of Madness’ Review
At its core, the narrative is driven by the parallel arcs of and Wanda Maximoff . Strange is forced to confront his need for control—a trait emphasized by his former lover, Christine Palmer, who observes that he always has to be "holding the knife". Across the multiverse, Strange encounters versions of himself who surrendered to arrogance or corruption, serving as a cautionary mirror for his own path. [xmatr1x]Doktor Strange w multiwersum obЕ‚Д™du -D...
The most immediate distinction of this film is the "Raimi-esque" flair. Known for his work on the Evil Dead series, Raimi infuses the MCU with macabre visual flourishes—zooming cameras, Dutch angles, and genuine scares—that deviate from the typical Marvel formula. Reviewers from Screen Daily noted its "delightful funhouse quality," utilizing demonic figures, rotting corpses, and shocking character deaths to create a darker atmosphere than its predecessors. The Duality of Grief and Duty Visually, the film is a trippy exploration of